Jon Favreau, Sofia Vergara, and cast serving food in Chef (2014)

Chef

Who knows if it’s always been this way, but the phrase ‘date movie’ is a surprisingly bad omen.

It’s synonymous with bad comedy and cheesy romancing.

The idea that a sequel to Valentine’s Day got produced…

Anyway.

Last year’s The Spectacular Now is a great example of what a ‘date movie’ should be.

So is this year’s Chef.

It’s a heartwarming story about a talented L.A. foodsmith finding his niche. In part a road-trip buddy comedy, Chef explores father-son relationships and the struggle to maintain balance.

‘Slice of life’ is what you might call it.

Jon Favreau is lights-out. That dude’s a boss.

He writes, directs and stars in Chef. Favreau directed Elf; he has a cameo in The Wolf of Wall Street, and plays a great supporting character in Iron Man 3. You may be surprised to find out he’s also Danny Bateman, the overzealous linebacker from The Replacements.

He’s also into comics and a big supporter of the Marvel franchise. (Yes, I can easily forgive him for Iron Man 2.)

Plus the off-type roles he wrote for Scarlett Johansson and Sofia Vergara in Chef are very strong. The whole movie’s well written. It’s not a comedy in the traditional sense, even though most websites categorize it such.

If we’re to get technical, Chef meets the prerequisite minimum of hilarious dick jokes. So in a scholarly sense it’s a comedy.

Perhaps ‘realistic fiction’ is the right name for it. I still prefer ‘slice of life.’

It tells a real story about a hardworking, driven middle-aged man who’s reached a seemingly insurmountable crisis. The interactions between Favreau and Dustin Hoffman are believable and compelling.

The viewer quickly forgets they’re watching the Hoffster, and can empathize with both sides of the conflict.

Between Scar Jo, Sofia, Dusty and all the rest, the supporting cast is phenomenal.

One final actor worthy of mention is John Leguizamo. He’s always great, and doesn’t disappoint here.

A common criticism is the initial half is far more compelling than the later. But I couldn’t disagree more.

It’s between six to eleven minutes too long but that’s the film as a whole; there is no greater or lesser half.

Chef also dives into social media and creatively incorporates animation to illustrate ‘tweeting.’

There’s no ‘stinger’ after the end-credits but if you wait until halfway through, there’s a short clip of Favreau learning to make grilled cheese from a professional. It’s not mind-bending, but it’s fun and worth the three minutes.

Chef’s not a blockbuster but it’s hilarious, heartwarming fun if you’re seeking a flick in-theaters.

I saw it for six bucks, which is a steal nowadays.

So don’t leave it on the backburner any longer.

Chef’s packed with laughs and just the right amount of sentimentality.

It’s a realistic date slice of comedic fiction life movie.

With a dusting of romance.

★★★★ ★★★★

Briefer takes at IMDb & Letterboxd.

For more culinary cinema check The Menu.

Iron Man 3

Ever wonder what a great superhero movie looks like?

Iron Man 3 lands at #9 on the “Top Films of 2013” list.

To begin with, Marvel executes its franchise with astonishing efficiency. Honestly, it’s almost unbelievable how quickly the studio produces these films while still maintaining their quality.

By contrast, Iron Man 2 didn’t meet that standard—not even close. Think about it: the sequel essentially retells the same story as The Great Mouse Detective.

Mind blown?

Thankfully, the third entry changes course.

First and foremost, the fights and action sequences absolutely dazzle. Marvel frames elaborate cinematic moments with stunning camerawork and near-perfect CGI.

And boy oh boy, the story grips from the start. It’s packed with tension and emotion.

So let’s talk about what works in the fourth installment (counting The Avengers) in Iron Man’s narrative arc.

To start, the film features a deceptively small, yet tight and focused, cast.

Robert Downey Jr. carries the film…

Just kidding—he’s flawless, as always.

Meanwhile, some critics have targeted the introduction of voiceover narration this late in the series. Sure, you can permit that critique, but on the other hand, you can also argue the opposite just as easily.

Personally, I never felt the voiceover clashed with the story. It fits—especially considering how personal this chapter feels. We’ve grown used to Tony’s public-facing heroism. This time, the film explores the man inside the suit.

In fact, the voiceover deepens the narrative.

Stark feels trapped inside his own mind. He’s a hyperintelligent machine running out of time to fulfill his potential.

For example, in one moment, he literally wakes up midair—and we, as the audience, wake up right alongside him.

That moment uses a standout visual trick, placing the viewer inside the iron faceplate. The effect lands perfectly.

More importantly, the film weaves together plot, emotion, and style with seamless precision.

Now, some viewers might call a few plot points contrived. I’d push back on that. After all, where else could the writers pull from? They work within a world shaped by earlier films. And let’s be honest—these are exactly the kinds of issues a modern-day Tony Stark would face.

Shane Black earns serious credit here. Not only did he direct the film—he also co-wrote the script.

And Don Cheadle? The man charms every time he’s onscreen.

Also—hilarious that no one noticed the Terrence Howard switch until way after the third movie dropped. (If you want more on that, check Prisoners.)

Furthermore, Jon Favreau nails every scene as Happy Hogan. You keep expecting the punchline to miss—and it never does. Favreau plays it pitch-perfect.

Guy Pearce, meanwhile, delivers a transformative performance as Aldrich Killian across two separate timelines. He might be lesser known, but he matches the rest of the cast beat for beat.

And Gwyneth Paltrow? Excellent as Pepper Potts. Her overall filmography might feel surprisingly thin, but she shines in this role.

Honestly, I think Paltrow’s fantastic here—and Pepper is one of the biggest reasons Iron Man 3 goes beyond the basics.

Typically, Pepper plays the lovable, dependable partner. Tony fights to protect her while trying to keep their relationship intact. That’s exactly what fans expect from the comics. But in one standout moment, the film flips the script: Pepper ends up inside the suit and saves an unarmored Tony from certain death.

That’s great writing. It feels touching, fun, and empowering. Plus, it satisfies even the pickiest audience members.

Finally, speaking of great writing—Ben Kingsley plays a brilliant villain.

So whether or not you follow the comics or care about superhero movies, Iron Man 3 delivers a spectacular film experience for any audience.

★★★ ★★★ ★★★

Briefer takes at IMDb & Letterboxd.

Read my review of Captain America: The Winter Soldier.