Who knows if it’s always been this way, but the phrase ‘date movie’ is a surprisingly bad omen.
It’s synonymous with bad comedy and cheesy romancing.
The idea that a sequel to Valentine’s Day got produced…
Last year’s The Spectacular Now is a great example of what a ‘date movie’ should be.
So is this year’s Chef.
It’s a heartwarming story about a talented L.A. foodsmith finding his niche. In part a road-trip buddy comedy, Chef explores father-son relationships and the struggle to maintain balance.
‘Slice of life’ is what you might call it.
Jon Favreau is lights-out. That dude’s a boss.
He writes, directs and stars in Chef. Favreau directed Elf; he has a cameo in The Wolf of Wall Street, and plays a great supporting character in Iron Man 3. You may be surprised to find out he’s also Danny Bateman, the overzealous linebacker from The Replacements.
He’s also into comics and a big supporter of the Marvel franchise. (Yes, I can easily forgive him for Iron Man 2.)
Plus the off-type roles he wrote for Scarlett Johansson and Sofia Vergara in Chef are very strong. The whole movie’s well written. It’s not a comedy in the traditional sense, even though most websites categorize it such.
If we’re to get technical, Chef meets the prerequisite minimum of hilarious dick jokes. So in a scholarly sense it’s a comedy.
Perhaps ‘realistic fiction’ is the right name for it. I still prefer ‘slice of life.’
It tells a real story about a hardworking, driven middle-aged man who’s reached a seemingly insurmountable crisis. The interactions between Favreau and Dustin Hoffman are believable and compelling.
The viewer quickly forgets they’re watching the Hoffster, and can empathize with both sides of the conflict.
Between Scar Jo, Sofia, Dusty and all the rest, the supporting cast is phenomenal.
One final actor worthy of mention is John Leguizamo. He’s always great, and doesn’t disappoint here.
A common criticism is the initial half is far more compelling than the later. But I couldn’t disagree more.
It’s between six to eleven minutes too long but that’s the film as a whole; there is no greater or lesser half.
Chef also dives into social media and creatively incorporates animation to illustrate ‘tweeting.’
There’s no ‘stinger’ after the end-credits but if you wait until halfway through, there’s a short clip of Favreau learning to make grilled cheese from a professional. It’s not mind-bending, but it’s fun and worth the three minutes.
Chef’s not a blockbuster but it’s hilarious, heartwarming fun if you’re seeking a flick in-theaters.
I saw it for six bucks, which is a steal nowadays.
So don’t leave it on the backburner any longer.
Chef’s packed with laughs and just the right amount of sentimentality.
It’s a realistic date slice of comedic fiction life movie.
With a dusting of romance.