Close-up of Karen Gillan on the phone in Oculus (2013)

Oculus

Self-reflection. How much is too much?

Although the story remains unread on my bookshelf, I’d imagine Oscar Wilde’s The Picture of Dorian Grey deals heavily with this notion.

Since publication, many other horror stories utilize the mirror motif. Candyman (1992) is one of the scariest movies of all time. Mirrors (2008) isn’t as good, but hey – further fright by looking glass!

Grading horror on a curve Oculus is great.

It’s scary, thought provoking and nuanced.

Plus, Karen Gillan! Throw her on a list of promising young up-and-comers. She plays the bionic woman in Guardians of the Galaxy.

Brenton Thwaites isn’t the cat’s pajamas, but he does just fine.

Rory Cochrane and Katee Sackhoff turn in solid performances as the parents. The kids, Annalise Basso and Garrett Ryan were also very good.

First and foremost, Oculus establishes fair and realistic circumstances by which the viewer can suspend disbelief. Some of the best horror movies nowadays struggle with this.

Also, despite a tiny (five million dollar) budget, the movie looks great. You can feel the production value, the effort behind the moviemaking.

Unlike the Paranormal Activity franchise, which has enraged me since the first in 2009. It seems like folks have caught on since the trailer for the fourth film. I don’t want to sit through a PA5 preview.

I’ll get back to Oculus in a moment but one last note on the P.A. franchise.

It lessened the credibility of the horror genre by supporting a notion introduced by The Blair Witch Project.

The idea that production value doesn’t necessarily increase believability, and success can be achieved through marketing trickery and cheap filmmaking.

Therefore what’s debatably the campiest genre became even less appealing to the out-group as a large source of revenue. What is commonly perceived as a ‘lesser art form’ is further denigrated by the cheapness required to satisfy the audience.

My soapbox has a stepladder I’m currently descending.

Anyway. Oculus puts the theme of reflection to good use.

Man, horror guys really love their overlapping dualities.

The ending (and Rotten Tomatoes) leads me to believe there will be a sequel, which I’m very intrigued to see.

Two separate timeframes unfold through the perspective of two protagonists, under similar conditions in the same setting. The viewer watches along as the memories overlap with the present.

See? Nuance!

What we have here, folks, is an unreliable narrator.

A subjective third-person omniscient narrator, to be precise.

A perspective that swivels willy-nilly between past and present, reality and delusion.

Oftentimes it’s difficult to discern what’s an objective historical account or concrete memory. The blurred lines between the individual perceptions of both past and present are a theme reflected throughout.

Thus resulting in some rather subtle social commentary regarding psychotherapy.

After all that time spent in self-reflection, how much good does it do him in moving forward?

Didn’t think I was going to bring it back around, did you?

★★★★ ★★★★

Briefer takes at IMDb & Letterboxd.

Guardians of the Galaxy

Don’t be fooled by my review.

Guardians of the Galaxy won’t help you achieve enlightenment, fall in love or lose weight.

Especially if you’re the chick who sits beside me, crushing a popcorn tub singlehanded.

But if you’re looking for a great movie this weekend, you won’t find anything better on the big screen. Guardians delivers what it promises, and more.

That being said.

As is always the case with Marvel Studios productions, some won’t enjoy it. Guardians isn’t part of the superhero genre, however.

It’s science fiction. None of the characters are ‘superheroes.’

Technically thus comprises the ragtag band: one human, two aliens (one genetically enhanced), one anthropomorphic raccoon and one humanoid plant.

It belongs in the intergalactic genre; the same barrel as Star Wars and Star Trek.

If that sounds displeasing, you may be in the same boat as the douchey dude two seats down from me.

The opening scene’s a tearjerker, and I’m ‘swept up,’ so to speak.

It takes place on Earth and involves nothing extraterrestrial. At the emotional climax he speaks.

“Is this when the raccoon shows up?” Douchey Dude asks the Popcorn Vacuum.

Not only is it unfunny and in bad taste, it’s illustrative of his mindset. He’s completely unwilling to buy in.

His wrap-up comment post-viewing is, “It was all corny.”

If he’s so above it, why go in the first place?

I try to avoid personal yarns but am astounded by the behavior of other adults. If you can’t let yourself enjoy the movie, then don’t go see it.

James Gunn, the writer/director is just a great guy. He’s been on the Adam Carolla Show twice recently. He’s enthusiastic, intelligent and wants to do the sequel if the first is received with public favor.

In his latest appearance on Carolla’s podcast, Gunn claims they cast Chris Pratt as the lead when the actor was out of shape. But it’s clear Pratt got physically fit by the time shooting rolled around.

Zoe Saldana is the queen of science fiction. She plays a major role in both of the more recent Star Treks and wears similar makeup in Avatar. Saldana’s phenomenal as Gamora, and you can tell she does a lot of her own stunts.

Plus she’s enchanting. It’s odd how lovable she can be with all that makeup on.

Bradley Cooper is almost unrecognizable as the voice of Rocket, the raccoon everybody’s been talking about. As per the usual, Cooper’s great.

This is Vin Diesel’s second voiceover role as a humanoid being. Not only is he the voice of Groot in Guardians, he’s also the robot in The Iron Giant (1999).

Karen Gillan’s performance is particularly noteworthy. She’s a Scottish actress who’s quite prevalent in Doctor Who, and played a role in last year’s Oculus.

Gillan’s terrifically menacing as the bionic woman. She’s creepy and evil and fits the tone of the movie perfectly. Hopefully we see more of her in the future.

It’s overall a balanced, vastly diverse cast of characters. The sum total of which makes for a well-acted movie.

Guardians does a lot of things right. The writing constantly defies convention and satirizes common sci-fi themes.

For example, when the heroic outlaws ask for help from the authorities, it’s a relief to see their call’s considered, rather than immediately dismissed.

Much like the humorous discussions of plan creation, Guardians masterfully navigates clichés.

Location and contextual details appear onscreen in a cool efficient fashion. Digital readouts accompany interstellar approach shots of planetary environments as the perspective transitions between settings.

The shooting, editing, cinematography, music and score are all impressive. I think it’s time we retire “Ain’t No Mountain High Enough,” from all future soundtracks, though. That song belongs to Remember the Titans.

Despite some overcompensating laughter in the theater, the humor is strong and consistent.

The end credits are dissatisfactory. The opening credits are informative and wildly entertaining.

There is a lot of action, both hand-to-hand and aerial combat. It’s thrilling. Great choreography.

I wonder what percentage of the on-screen material is CGI. It must be upwards of fifty, but it all looks realistic.

My only criticism regards the scene after the credits.

It’s a major disappointment if you don’t understand the reference. I’m almost twenty-five and despite my vague familiarity, I’m still outside the joke.

It seems like this film is for an older audience. Why not make it R?

I know all the answers to my question; they’re just infinitely dissatisfying.

And I was hoping for something that gets us looking forward to the sequel.

Regardless. It’s a tiny failure in an otherwise remarkable film.

Guardians of the Galaxy is cute, thrilling and fun.

It’s everything we can ask from PG-13.

★★★★★ ★★★★★

Briefer takes at IMBd & Letterboxd.

Check out Hercules for more fantasy action in 2014.