This doesn’t bode well for my reading career.
Gone Girl is spectacular. A strong contender for this year’s Best Picture.
I couldn’t recommend it more highly.
Reading the book isn’t necessary.
The difference between the textual and visual is minimal. Reconsider the commitment lingering on your bookshelf.
This is one flick you won’t want to miss.
If you’ve got a better half, bring him or her along. Both men and women will thoroughly enjoy.
It’s long (145 minutes total) but should hold your interest throughout.
The screenplay for G.G. is by Gillian Flynn, the same woman who penned the novel.
If Gone Girl offers any qualitative inclination toward G.F.’s alternative texts, let’s hope Sharp Objects and Dark Places are green-lit.
Director David Fincher doesn’t have a distinct public persona like Tarantino, or an iconic physical appearance like Scorcese’s.
That doesn’t detract from his mastery of feature film direction.
Iconic motion pictures like Fight Club, Se7en, The Social Network and The Girl with the Dragon Tattoo highlight his filmography.
If a story’s a stairway, Gone Girl is a multi-tiered double escalator.
It’s extremely well written, and the tension is like radio static, vibrating angrily amidst the coiling score.
The pacing is kinetic; the story constantly switching gears.
The humor is occasional in a realistic fashion. The self-awareness is pointedly subtle.
The characters are sympathetic and well rounded.
Is it even necessary to mention Neil Patrick Harris’s performance? Can’t we just assume he was fantastic from now on?
How about Ben Affleck, everyone’s favorite punching bag? Folks who doubted him should be flogged with a sofa cushion.
Upon recommending Gone Girl, a friend’s initial hesitation hinges on Affleck’s involvement.
First of all, that’s like saying you’re missing the N’SYNC concert because you don’t like J.T.’s pipes.
Benny was never ‘bad’ at acting, by any stretch of the imagination. Folks cite 2003’s Gigli and Daredevil as Fleck Daddy’s downfall.
I can’t speak to the former, but a final thought on the latter.
At fourteen years old, a group of friends and I thoroughly enjoyed Daredevil in the theater. Plus, it gave us a ‘walk in the shoes’ of a blind person. Whether we appreciated it or not; we were educated on a lifestyle none of us understood.
I can still cite multiple scenes in detail, and I haven’t seen Daredevil since that initial viewing.
My basic point is: Don’t skip Gone Girl because of a strong opposition to Affleck’s acting ability.
Rosamund Pike delivers a knock-out performance.
She’s a semi-unknown, but a glance at her filmography proves she deserves more notoriety.
I’ve a feeling we’ll be seeing more of her in the future.
The remainder of the cast is just as good, but too much detail may trigger a spoiler, so I’ll leave it at that.
The warm weather left with the hummingbirds, but at least there are solid flicks repopulating theaters.