The word you’re looking for is ‘Captivation.’

It’s the concept everyone forgets when trying to articulate their reaction to a film.

But it’s the sole unifying factor for the viewing masses. It may be the single collective pursuit, the only aspect of movie-going everyone can agree upon.

We all seek captivation.

And Steven Soderbergh delivers it on a pallet-jack.

Side Effects is #3 on the Best Films of 2013 list.

It doesn’t get any better than this all-star cast. Rooney Mara and Catherine Zeta-Jones are two of my favorite actresses, and they both pull off stellar performances.

I know it’s been said before, but CZJ ages like wine.

And Rooney Mara, sheesh, that little firecracker can act.

Need it be mentioned Channing Tatum and Jude Law were great?

The plot is not only timely, intricate and moving, it’s exhilarating. The characters are compelling, and the central conflicts are rather complex. It’s tough to say who makes the right or wrong decisions, and the ending pays off all the mystery and suspense in a satisfying manner.

It’ll keep you on the edge of your seat. And also raises questions about the evils of psychology, especially when intertwined with the business world.

This is a fantastic movie, and didn’t get its due last award season.

See this film! But if you haven’t, watch out, I’m going to spoil some things below.

I watched G.I. Joe: Retaliation a day before Side Effects, and this turned out to be a good thing. I was definitely not expecting the twist about a third the way thru.

To be honest, I think I was sadder to see him go the second time. Give me Tatum in a big starring role one of these days.

But speaking of sadness: I must be honest. When I’m watching a movie with a buddy and it gets the waterworks running, I can do a pretty good job of containing the outbreak.

Twice I was gotten by Miss Mara. When Roon-Dawg almost steps on the train tracks, and when she can’t contain herself at the party because her depression is so severe – I draw some sharp breaths.

Those two moments were so moving, and then to have her character do a complete turn around by the end; that’s some masterful filmmaking.

And how about that ending, huh?

What it should not do? Detract from Mara’s portrayal of clinical depression. She delivers a moving performance that deserves particular respect because our perception of her character undergoes several transformations.

All in all, the spectacular ending ties off what already was a spectacular movie, with a shiny new ribbon.

Can’t wait to see what Soderbergh takes on next!

★★★★★ ★★★★★

Briefer takes on IMDb & Letterboxd.

Check Rush if you want more thrills from 2013.